Executive Director Gillian Farinella advocates against the overuse of multiversal sub-plots in modern media.
News in :90 – Feb. 17 , 2022
The United States received word that Russia has added an additional 7,000 troops near the Ukraine border. The CDC reported that the U.S. is moving toward Covid-19 not being a “constant crisis.” Rori West has todays News in :90.
OPINION: Sexuality in film does not always mean objectification
Nudity and sexuality have been portrayed in art in many ways throughout history, varying across cultures and mediums. Columnist Gustavo Gutierrez argues a good portrayal of sexuality in film serves a purpose for the story and its themes, whereas over-sexualization leads to objectification.
OPINION: Hollywood should learn when to stop
Good art takes risks, and making movie remakes, franchise reboots and unexpected sequels takes all the risk out of filmmaking. Columnist Gustavo Gutierrez Nidasio argues the film industry focuses more on money than quality and originality, and now, movie theaters mostly consist of movies nobody asked for.
OPINION: James Dean’s post-humous CGI role is the endgame of Hollywood
James Dean died in a car accident in 1955. Sixty-three years later, James Dean will star in a Vietnam War film “Finding Jack.” Columnist True Dabill argues the CGI is the fountain of youth Hollywood’s been waiting for.
OPINION: “The Exorcist” is the best film about faith and religion
Despite the film being banned in parts of the U.K. and criticized by various Catholic family groups, the film and novel “The Exorcist” was written by a Catholic, William Peter Blatty. Columnist True Dabill argues that “The Exorcist” is the best religious film.
OPINION: “Joker” is the template for studio films of the future
The film “Joker” is a character-driven combination of familiarity, originality and audience baiting. Columnist True Dabill argues this film serves as a template for films of the future.
‘Boyhood’ leads Golden Globes, ‘Grand Budapest’ upsets
Richard Linklater’s film “Boyhood” won the night’s top honor at the Golden Globes, best drama, as well as best director for Linklater and best supporting actress for Patricia Arquette.